Fuzhou Photography Training--Seven Skills and Processes of Clothing Photography
Fuzhou Photography Training--Taobao Clothing Photography Skills and Cloth Photography
High Quality Products Photography About Clothing E-commerce is very important. For many customers, your product pictures will decide whether they will buy your product.
but what is necessary does not necessarily mean valuables. The difference between professionals and amateurs lies in talent, equipment and experience. If you value photography and a moderate budget, please follow these seven steps to benefit from our experience and create exquisite drawings of clothing products.
1. prepare your clothes. Your products should look absolutely the best in your drawings. The unfortunate fact of life is that clothes become wrinkled, creased, and look shabby from the beginning of storage and delivery. Clothing samples face particularly difficult times because they often cover many miles and may not have a perfect structure at the beginning. The
ready-to-take costume is a key starting point for photography, but many photographers skip this step and rely on Photoshop to correct wrinkles, stains and other visible defects. Don't do that. Photoshop is not unusual: mastering high-end modification skills requires time and expertise, and too many modification risks can affect the quality of the picture. The
test captures your clothes as close to perfection as possible, and only uses Photoshop to add ultimate touch and color proofreading.
before taking photos, steam will help your products look best. From top to bottom, check your products thoroughly from inside to outside. Do you need to delete any labels, stickers and other types of identification data? Do it in this way. Will the product wrinkle or wrinkle during storage? Ironing or steam. Correction of damage and elimination of disturbance; for example, removal of dust and string using cotton rolls or tapes.
2. Setting up a studio requires only a few items, and you can turn any room with space into a photo studio. If you have very little budget, you can use cameras, three legs, seamless white paper, adhesive tape and natural light. If you have more money to spend and expect to manipulate the timing and address of the photo, it's worth investing in some equipment.
studio set and camera, three tripod, C rack, seamless paper, fashion model, monolight suite. If you want to take pictures of smaller items such as jewelry, purses, wallets or other accessories, you can buy small portable studios like Foldio. Foldio comes with several different sets, LED lights and iOS applications to help you take professional product photos in a comfortable home or office.
Foldio by the way all: Portable Mini studio. The setting is always white or light gray to avoid distraction and to ensure that the colors are captured as accurately as possible. Seamless white paper is very suitable, inexpensive, and can be used at any camera store. If you have one, please use C-stand to insist on seamless. Sweep the reel to the floor to make it zigzag, avoid creases and diffuse attention shadows, and tape it. The
bracket allows you greater flexibility in the placement of the scene, allowing you to operate around the studio. If you are in the self-help budget, you can paste the seamless reel on the ceiling or wall.
places the product on a model or human model in the middle of the scene and directly in the camera's position.
Camera Your camera is an important part of your product photography, but don't miss to assume alone that it will determine your success. This is only part of the puzzle, you don't need to put the whole budget in it. We advocate that you use DSLR cameras with at least manual exposure and aperture settings, or use very cheap alternatives to direct fingerprints, smartphones!
use three feet. Stability eliminates camera jitter and ensures that your photos are taken together, and together allows you to put your hands on other missions. You don't need to spend a lot of money on three legs, but you need to use it.
place three legs and camera to directly face the product. In most cases, you will not move your camera in the photo process. Regarding the different viewpoints of the product, you will move the product.
put the camera on the three foot rack and directly face the product. Natural lighting window lamp is a cheap and high quality light source suitable for any clothing photographers. If you have a big window and natural light, it's great! It may be what you need. However, if you have a way, we strongly advocate that you hire or invest in easy to use lighting kit.
an artificial lighting device allows you to take pictures without satisfactory light in the windows. Adding versatility can significantly improve your power, and common lighting can help you set professional specifications. For single lamp settings, you need a lamp holder, a flexible box, a C bracket, a battery pack and pocket guide.
"bald headed" is the light you may think of. We advocate that you start from the mono light bulb, called "monolight". This may be the most valuable part of your suite - possibly more expensive than your camera - so take the time to discuss and find your best long-term fit.
the soft box is necessary for diffusing light and capturing products with uniform illumination and attractive methods. The C bracket can fix your lamp holder and soft light box. The pocket guide will synchronize your camera and lights and basically turn your lamp holder into a bright light. The battery pack is completely in line with your idea; it provides power for your light. 3. Azimuth lighting If you use natural light, please place the product near the window to obtain uniform light. If you are using monolight settings, here is a bird's eye view with a single lamp set.
place the light source and the flexible box at the angle of 45 degrees on the product. Place a light source and soft light box or umbrella at an angle of 45 degrees with the product to make the lighting on the product soft and uniform. Put the camera directly in front of the photo guide. If you put the product too close to the set, there may be some shadow. If this happens, you can get the clean white scenery only by moving the main body away from the scenery. Set the power of the light source to about half. The correct manual exposure of
usually requires only the use of the camera's photometer. You can find it by checking the camera's viewfinder and adjust the settings to make the appearance slot reach 0. When you use it, this is not so simple a light, because the camera can't read the light before the light is turned on. However, the hand-held photometer can help you read light easily and accurately. By synchronizing it to the lighting system and putting it in front of the photographic policy, you can ensure accurate reading.
If you don't have a photometer, set the shutter speed to 1/200 or lower and set the aperture to f/11 or higher. From there, you need to test and adjust the camera settings to achieve the best exposure and focus.
leave time to charge between lights. Depending on the strength of the battery pack, if the photo is taken too fast, the light source may not be able to shine on time. 88 8111 4. The style of a human model or model to take pictures of clothes on a human model or model is the best way to show shape and fit. Together, customers are encouraged to fantasize about themselves when wearing it.
finalize your product and make it suitable. Models make clothes lively, but professionals are very valuable. Mannequin is an economical alternative and easy to use. Take the time to plan the product style on the mannequin; if your clothes look too big, you can fit them on a model close to you, pin them on and stuff them in until they fit. You can create hidden human models in post processing.
If you are worried that a mannequin may cause a product to lose focus or form a product, you can use the invisible mannequin skills in post-production processing. Some of the rated lenses for each product will allow you to delete the human model from the product drawing and present a 3D drawing showing the shape and appropriateness.
5. Setting up a camera If your camera is set up incorrectly, then Photoshop expertise will not make your drawing look more professional. Before photographing products, please ensure that you understand ISO, aperture and white balance.
pay special attention to ISO, F-stop and white balance. ISO ensures that your ISO does not exceed 600-640. Higher ISO episodes are distracting "noise" or "particles," which are gray or colorful mottles that make the photograph look more like a movie. The higher you are, the greater the noise. With higher ISO, the camera can't capture much sharpness, so the details begin to look soft. Using three tripod allows you to hold ISO at 100 or 200 to achieve the best clarity and clarity. The
aperture, the F number set by your camera (for example, f/16, f/2.8), indicates the focus of control. Generally, the larger the aperture, the more the picture will be in the full focus. Ensure that the aperture is set higher than f / 11; this will give you all the attention of your product.
White Balance Have you ever seen a photograph that looks like it was taken through a blue or orange filter? The white balance may have been closed. The light source has different temperatures, so the so-called bias can cause the camera to determine the real white. Your white balance setting controls how the camera explains its recorded color. There are many different types of light sources, but the most common are tungsten, fluorescent lamps, LED and natural sunlight.
You can set the white balance according to the type of light you use, or set the white balance to AUTO and let the camera decide. Whatever you choose, don't forget the white balance, or you may find it hard to test yourself to recreate precise colors in Photoshop.
6. shooting, after all, this is the moment you wait. Align the camera to the photographic policy, then press half of the shutter release button to focus the camera on the photographic policy, and then take a picture. If you find that the picture requires more or less light, adjust the camera settings throughout the shooting process. The more you take photos, the more natural your adjustments will be.
take photos of your products from different viewpoints.
take as many pictures as possible. You may want to take pictures of the front and the back, the 45 degree angle, the left and right sides, and any details. The more photos, the better. You need a lot of options to pick out the final picture, and more pictures of each product on your website have proven to be able to add sales. If you backup more than one photo from multiple viewpoints, customers will be able to trust their image of the product.
7. after the production process takes pictures, it is time for the network to prepare product drawings. The policy of post production is to make your drawings as professional as possible and stick to the best function.
This is the simplest and most useful step in outsourcing, because digital assets are easy to move, saving time and cost. If you want to do it yourself, make sure that the post-production process resolves alignment, cropping, scene removal, and color proofreading problems to maintain a common and professional look. Record your progress in order to draw up a set of rules and regulations for photographing and modifying.
alignment ensures that your product is of the same size and is centered in each picture. You expect all viewpoints, corners and edges of the product.